Focusing on eight iconic works of art such as Caravaggio’s David With the Head of Goliath, David’s Death of Marat and Picasso’s Guernica, this powerful series places great art at the centre of great moments in human history.

This series is not a stroll through a gallery, nor is it a demure tour through a museum, instead it takes us on an extraordinary journey to the centre of human struggle and the dark heart of history. A combination of dramatic reconstruction, spectacular photography and Simon Schama’s unique and personal story telling transports the viewer back to the intense moments eight great works of art were conceived and born.

Each programme takes us where only art can go; into the vortex of Turner’s murderous seas; the light Guernica shone on fascist slaughter; and into the deep gravitational force fields of Rothko’s pulsing planets of colour. See Bernini’s thumbprint impressed on the kneaded clay of an old man’s beard and the slather of Rembrandt’s pigment crusting on his canvas. The Power of Art is the epic story of an unfolding force, a chance to witness the power of the individuals who changed the way we view the world.

The eight works of art included in the series are: Caravaggio’s David With the Head of Goliath; Bernini’s The Ecstasy of St. Theresa, Rembrandt’s The Conspiracy of Claudius Civilis; David’s Death of Marat; Turner’s Slave Ship with Slaves Thrown Overboard; Typhoon Coming On; Van Gogh’s Self Portrait; Picasso’s Guernica and Rothko’s Seagram Building Murals.

1. Caravaggio
David with the Head of Goliath (1601)
Rome 1603. Images of the Saviour, the virgin and the saints are beautiful and pure, created to win the hearts of the faithful. But then Michelangelo Merisi da Caravaggio starts to paint. He says the glory of the gospel is that the saviour was made of flesh and blood. And he paints him, and those who were with him, earthier and more physical than anything that has been seen before. His models are taken from the streets, the taverns, markets and brothels. Caravaggio changes forever the sense of what painting could do, how real it could feel. But to some, this was precisely the problem – he was the man who came to destroy painting, to rob it of its spiritual lift-off power.
Caravaggio is played by Paul Popplewell (24 Hour Party People, The Somme)
 
2. Rembrandt
The Conspiracy of the Batavians under Claudius Civilus (circa 1666)
In The Night Watch and his portraits of the richest merchants of Amsterdam, Rembrandt has done the impossible: made something heroic, dramatic and grand out of a world of merchants and money. Yet, 10 years later, he is bankrupt, out of fashion, dismissed as an obstinately rough painter in a smooth age. Then the chance of a comeback - to decorate the halls of Amsterdam Town Hall. But instead of the classical restraint and grandeur required, Rembrandt creates the roughest, toughest history painting ever, and one of the greatest masterpieces of his age.

3. Bernini
The Ecstasy of St Theresa (1652)
Gian Lorenzo Bernini, boy wonder, then adult prodigy - sculptor, architect, composer, as well as a dashing Cavalier, and the personal friend of Pope Urban VIII. His sculptures have the breath of life flowing through them; in his hands stone seems to move and ripple. Then, in the late 1640s, Bernini’s star falls; cracks appear in the bell-tower he has built for St. Peter’s. Bernini needs a miracle to restore his fortune. So he makes one: The Ecstasy of St Theresa. His marble saint levitates and quivers, hovering on the border between mystery and indecency. Devotees flock to see this holy peepshow, flesh dissolving into spirit, a mystery exuding pain and pleasure, carnal consummation and disembodied bliss. No wonder people watch.