• Sky.com Home
  • TV
  • News
  • Sports
  • Shop
  • Manage My Account
  • Help & Support

Sky Arts - Met Opera’s La Cenerentola

  • Home
  • TV guide
  • Sky Go
  • Watch video
  • Jo Whiley
  • Festivals
  • Art & design
  • Books
  • Films & docs
  • Music
  • Dance
  • Opera
  • Theatre & drama
  • Artsmail
  • Comps & offers
  • Contact us
  • How to watch Sky Arts
  • Print our TV listings
  • Follow us on Twitter
  • Sky Arts At
  • One & Other
  • Sky’s investment in the arts
  • Taylors Coffee

Home > Opera > Met Opera’s La Cenerentola

Opera

print page

Met Opera’s La Cenerentola

See TV listings for this programme

Elina Garanca stars in Rossini's Cinderella story

 
 
 
Previous Next
 
  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

  • The Met Opera's La Cenerentola

    The Met Opera's La Cenerentola

Hot on the heels of her triumphant Met debut as Rosina in last season’s Il Barbiere di Siviglia, Elina Garanca portrays another Rossini charmer in this bel canto Cinderella story. Lawrence Brownlee is her Prince Charming. Veteran baritone Alessandro Corbelli demonstrates his impeccable comic timing to match the gravitas of Met favorite John Relyea. Maurizio Benini conducts.

Composer: Gioachino Rossini

Synopsis
Act I

The fairy-tale past. In the run-down castle of Don Magnifico, his daughters Clorinda and Tisbe are in the middle of one of their usual arguments. Their stepsister Angelina, called Cenerentola, who serves as the family maid, sings her favorite song about a king who married a common girl (“Una volta c’era un rè”). There is a knock on the door and Alidoro, tutor to the prince Don Ramiro, enters, dressed as a beggar. The stepsisters want to send him away, but Cenerentola gives him bread and coffee. Courtiers arrive to announce that Ramiro will soon pay a visit: he is looking for the most beautiful girl in the land and will hold a ball to choose his bride. Magnifico hopes that it will be one of the stepsisters: marriage to a wealthy man is the only way to save the family fortune. When the room is empty, Ramiro enters alone, dressed in his servant’s clothes so he can freely observe the prospective brides. Alidoro has told him that there is a girl in the house worthy to be a princess, and Ramiro is determined to find out who she is. Cenerentola returns and is startled by the presence of a stranger. The two are immediately attracted to each other (Duet: “Un soave non so che”). He asks her who she is, and Cenerentola stammers a confused explanation, then runs away. Finally, the “prince” arrives—in fact Ramiro’s valet, Dandini, in disguise. To Ramiro’s amusement, Magnifico, Clorinda, and Tisbe fall over themselves flattering this prince, who invites them to the ball. Cenerentola asks to be taken along but Magnifico refuses (Quintet: “Signor, una parola”). Ramiro notes how badly Cenerentola is treated. Alidoro reenters with information that there is a third daughter in the house but Magnifico claims she has died. Left alone with Cenerentola, Alidoro tells her he will take her to the ball and explains that God will reward her good heart (“Là del ciel nell’arcano profondo”).

At Ramiro’s country house, Dandini shares with the prince his negative opinion of the two sisters. But both men are confused, since Alidoro has spoken well of one of Magnifico’s daughters. Clorinda and Tisbe appear again, having followed Dandini who still poses as the prince. When he offers Ramiro as a husband to the sister the prince does not marry, they are outraged at the idea of marrying a servant. Alidoro enters with a beautiful unknown lady who strangely resembles Cenerentola. Unable to make sense of the situation, they all sit down to supper, feeling as if they are in a dream.

Act II
Magnifico fears that the arrival of the stranger could ruin his daughters’ chances to marry the prince (“Sia qualunque delle figlie”). Cenerentola, tired of being pursued by Dandini, tells him that she is in love with his servant. Overhearing this, Ramiro is overjoyed and steps forward. Cenerentola, however, tells him that she will return home and doesn’t want him to follow her. If he really cares for her, she says, he will find her. The prince resolves to win the mysterious girl (“Sì, ritrovarla io giuro”).

Meanwhile Magnifico, who still thinks that Dandini is the prince, confronts him, insisting that he decide which of his daughters he will marry. Dandini first advises him to be patient, then reveals that he is in fact the prince’s servant (Duet: “Un segreto d’importanza”). Magnifico is furious.

Magnifico and the sisters return home in a bad mood and order Cenerentola, again in rags, to prepare supper. During a thunderstorm, Alidoro arranges for Ramiro’s carriage to break down in front of Magnifico’s castle so that the prince has to take refuge inside. Cenerentola and Ramiro recognize each other as the various parties comment on the situation (Sextet: “Siete voi?”). When Ramiro threatens Magnifico and his daughters who are unwilling to accept defeat, Cenerentola asks him to forgive them.

At the prince’s palace, Ramiro and Cenerentola celebrate their wedding. Magnifico tries to win the favor of the new princess, but she asks only to be acknowledged at last as his daughter. Born to misfortune, she has seen her life change and invites her family to join her, declaring that the days of sitting by the fire are over (“Non più mesta”).


CAST
In order of vocal appearance
Clorinda, Don Magnifico’s daughter  Rachelle Durkin
Tisbe, Don Magnifico’s other daughter  Patricia Risley
Angelina, known as Cinderella, Don Magnifico’s stepdaughter  Elīna Garanča
Alidoro, former advisor of Don Ramiro and an angel in several guises  John Relyea
Don Magnifico, Baron of Monte Fiascone  Alessandro Corbelli
Don Ramiro, Prince of Salerno  Lawrence Brownlee
Dandini, Ramiro’s valet  Simone Alberghini
Recitative accompanist  Robert Myers

Conductor Maurizio Benini
Production Cesare Lievi
Set & costume designer Maurizio Balò
Lighting designer  Gigi Saccomandi
Choreographer  Daniela Schiavone
Stage director  Sharon Thomas
 

If you like this then try these...

  • Renee Fleming
    The Metropolitan Opera Season 2009
Arts Mail

Bookmark this page...

  • Stumbleupon
  • Reddit
  • Digg
  • Delicous
  • Facebook
  • Google bookmarks

Latest comments

Mrs Alagna

Sun 27 June 2010, 08:36

A Princess who towered over her Prince????? What was the Met thinking?????? Ridiculous. Thank goodness for the peerless Alessandro Corbelli.

Report this comment

* Required fields

Something to say?

  • Showing
  • Now
  • Next
  • Later

Thu 9 February 2012, 14:13

  • About Sky Arts
  • Commissioning
  • Media
  • FAQs
  • Terms
  • Privacy Notice
  • Service Status

 

© 2012 BSkyB Ltd All Rights Reserved