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Home > Opera > Met Opera’s Romeo et Juliette

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Met Opera’s Romeo et Juliette

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The Met's take on the classic

 
 
 
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  • Met Opera's Romeo et Juliette

    Met Opera's Romeo et Juliette

  • Met Opera's Romeo et Juliette

    Met Opera's Romeo et Juliette

  • Met Opera's Romeo et Juliette

    Met Opera's Romeo et Juliette

  • Met Opera's Romeo et Juliette

    Met Opera's Romeo et Juliette

  • Met Opera's Romeo et Juliette

    Met Opera's Romeo et Juliette

Conductor  Plácido Domingo
Tybalt  Marc Heller
Paris  Louis Otey
Capulet  Charles Taylor
Juliette  Anna Netrebko
Mercutio  Nathan Gunn
Roméo  Roberto Alagna
Gertrude  Jane Bunnell
Grégorio  David Won
Friar Laurence  Robert Lloyd
Stéphano  Isabel Leonard
Benvolio  Tony Stevenson
The Duke of Verona  Dean Peterson

Prologue
A chorus introduces the story of the endless feud between the Montague and Capulet families, and of the love of their children, Roméo and Juliette.

Act I
At a masked ball in the Capulet palace, Tybalt waits for his cousin Juliette and assures her suitor, Count Paris, that her beauty will overwhelm him. Capulet presents his daughter to the guests and invites them to dance. The crowd disperses and Roméo, a Montague, enters with his friends Mercutio and Benvolio. He tells them about a strange dream he has had, but Mercutio dismisses it as the work of the fairy Queen Mab (“Mab, reine des mensonges”). Roméo watches Juliette dance and is instantly entranced by her. Juliette explains to her nurse that she is not interested in marriage (“Je veux vivre”), but when Roméo approaches her, both feel that they are meant for each other. Just as they discover each other’s identity, Tybalt returns. Roméo masks himself and rushes off. Tybalt identifies the intruder as Montague’s son, but Capulet restrains him, ordering the party to continue.

Act II
Later that night, Roméo enters the Capulets’ garden, looking for Juliette (“Ah! lève-toi, soleil!”). When she steps out onto her balcony, he comes forward and declares his love. Servants briefly interrupt their encounter. Alone again, they vow to marry.

Act III
Roméo comes to Friar Laurence’s cell at daybreak, followed by Juliette and her nurse, Gertrude. Convinced of the strength of their love, the priest agrees to marry them, hoping that the union will end the fighting between their families.

Outside Capulet’s house, Roméo’s page, Stéphano, sings a mocking song. This provokes a fight with several of the Capulets. Mercutio protects Stéphano and is challenged by Tybalt. Roméo appears and tries to make peace, asking Tybalt to forget about the hatred between their families, but when Tybalt kills Mercutio, Roméo stabs him. The Duke of Verona arrives, and both factions cry for justice. Roméo is banished from the city.

Act IV
Roméo and Juliette awake after their secret wedding night. She forgives him for killing one of her relatives, and after they have assured each other of their love, Roméo reluctantly leaves for exile (Duet: “Nuit d’hyménée”). Capulet enters and tells his daughter that she must marry Paris that same day. She is left alone, desperate, with Friar Laurence, who gives her a sleeping potion that will make her appear dead. He promises that she will wake with Roméo beside her. Juliette drinks the potion (“Amour, ranime mon courage”). When Capulet and the guests arrive to lead her to the chapel, she collapses.

Act V
When Roméo arrives at the Capulets’ crypt and discovers Juliette, he believes her to be dead and drinks poison. At that moment, she awakens, and the lovers share a final dream of a future together. As Roméo grows weaker, Juliette takes a dagger from his belt and stabs herself. The lovers die praying for God’s forgiveness. 

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Latest comments

HenryRussell

Fri 8 May 2009, 09:10

Who wrote it ??!!

("Romeo and Julliet)

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mrs alagna

Sun 10 May 2009, 09:06

Loved this production. Thought Anna Netrebko looking a bit piqued that she’d got Alagna instead of Villazon but she shouldn’t have worried.Roberto was sublime-don’t believe Villazon could have done better. Have seen it 3 times so far & will watch again this month. Gorgeous costumes,staging(the suspended bed scene amazing) and the Maestro Domingo conducting-what could be better? A joy from start to finish.

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Charles Gounod

Wed 13 May 2009, 21:13

It’s a pity your website does not credit the composer of the Met’s Romeo et Juliette.

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Robert Fairweather

Wed 1 July 2009, 16:38

I am writing on July 1 yet you are still only giving details of June’s programmes.
If you want viewers to plan to watch your programmes you need to give details in advance.

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